Wednesday, November 10, 2021

Tanner Pruett - Smith - Ch. 1-3

 

  • Avoid pretense when singing and performing

  • Authenticity

    • Our emotions and the current state of our minds and life greatly affect singing 

  • Musical sound requires three ingredients

    • A generator (airflow)

    • A vibrator (vocal folds)

    • A resonator (nasal cavity, mouth, and pharynx)

  • Resonance is a passive ingredient to singing

  • Generation and vibration are the active ingredients to singing

  • Use the whole self when singing (because we can’t directly observe or manipulate our instrument while singing)

  • Think about singing before and after, but not during

    • Do the work, then trust the work when you are performing

    • “Superb musical art is disciplined and well prepared. However, the superb musical artist performs as if each note is being conceived for the first time.” (pg. 26)

  • Singing should have the same ease and subconscious freedom as that we have when speaking

    • Begin with the singer’s vernacular speech to build the singing voice around it authentically 

  • Breath inspiration

    • Let the breath inspire what you are about to sing and perform

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