Tuesday, November 30, 2021

Vocal Masterclass with Laurie Hart

 Gideon Benge - Andrew Lloyd Weber (The day starts, the day ends)

  • Very theatrical, and I love that about how Gideon performs!
  • He sounds best at little moments when the emotion is more intense.
  • Raw passion
  • Higher and lower range
  • Belting healthily - I agree, that can be difficult for singers to figure out.
  • How do you practice?
    • Singing all the way through, but in section three or four times
    • Helps get all the parts just right and obligates connection.
  • Really relaxed, drony singing.
    • “I think you can stretch that even more.”
  • Say the lines like a normal conversation.
  • Experimentation - yes, Laurie does that a lot with me, and that’s something we’ve talked about in class.
  • Plan where your breath is going to be.
    • Gives you more time to swell.
    • Choral directors, I believe, often don’t like to breathe when singing a phrase or have people breathe at particular spots... If that’s the case here, I understand the struggle in translating into solo singing. I speak from experience, haha! :)
    • Lip trill
      • I do this a lot, and it tickles! Not as much when I’m playing a high brass instrument though, since I have a small mouthpiece on my lips.
      • Breathe only when you have to when you do this.
  • Silent breath
    • This is crucial in choral singing, too!!! My high school choir teacher has a whole exercise pertaining to this!
    • It can be harder if you have a habit of using a noisy breath.
    • It can be very hard when you run out of air too quickly.
  • When locking knees, you can find a partner and push against each other’s hands.
    • Felt easier!
    • Oh, it is? Interesting!
    • Keep the knees soft.
  • Happy quiet “Ah”
    • That helps raise the air up and over instead of back and down.
  • Practice in front of the mirror a little more ;)
    • Yes! Laurie tells me to do that all the time!

Amelia Kearl - Vie Melodien
  • “I love it! It’s my favorite!” I’m so glad!! It’s always so nice to sing a song you absolutely love!
  • The high F in the beginning really rang!
  • The diction is very nice and soft (in a good way, of course)!
  • The words are the most beautiful words in the world!
  • The song is kind of about everything.
    • Beautiful things in childhood and in the world
    • Ideas of things
    • Not like you’re singing this to someone, but you’re just talking about beautiful things in the world.
  • Vowels only
  • Circle around like a windmill.
    • Keep winding around.
    • I think this helps with keeping the larynx stabilized and keeps it from shifting
    • “It felt really easy!”
    • It also releases tension in the body, which is SUPER important!
    • The body was more connected
  • Let the jaw release and be free!
    • Laurie drilled this with me!
  • Creating a new neural pathway takes a lot of repetition. JUST LIKE IN THE TALENT CODE!!!!
  • Don’t sing two different vowels when you don’t need to.
    • Interesting. I think I do that sometimes…
  • It can be hard to focus on multiple things at once.
  • Flash cards with different emotions?
    • This sounds like a really fun acting exercise!
    • I can’t remember exactly what Laurie had her do specifically, but it looked like switching off between being hysterical and being happy.
      • “I was all in with that exercise!”
      • It helps free up the voice!

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