Kat Hirschi
Widmung - Shumann
-very nervous and timid sound
-very beautiful high range, but it still sounds pinched
-open them mechanism to allow more sound and a fuller sound
Amelia Kearl
Nel cor piu non mi sento - Paisiello
-great sound; I know there's more in there
-more support from breath and more grounded (probably just nervous)
Alyssa Burton
I Got Rhythm - Gerswin
-love the attitude!
-find a more "in the nose, but not of the nose" sound to help project sound
-would love some more musical levels throughout the song
Sierra Wamsley
(I did not get the song title)
-avoid swaying back and forth (I know it's hard)
-she has WAY more sound in her (I think it's a combination of breath support, placement, etc)
-would love to hear more resonance on the lower notes
Ethan Willmore
Heavenly Grasp - (didn't get the composer)
-I think I hear some extra air in his tone (needs to make more efficient use of the breath that is escaping)
-good diction overall
-some small intonation issues (I think from nervousness; pitch didn't settle on a few notes)
-very beautiful floaty tone on higher notes
Braeden Winford
Words Fail - Dear Evan Hansen
-love the commitment to the character; would love to see that more in the facial expression
-he's flipping into falsetto a lot, which is cool if it's a choice, but I have suspicion that he could take a more full head voice into that higher range
-I hear a lot of extra air in his tone (how do you fix that?)
-would work on being more grounded overall
-this song is a beast, but I really like what he did with it
Kylee Bailey
She Used to be Mine - Waitress
-I would make less "planned" hand movements for this song (the music really tells the story in this piece)
-really beautiful belt in the medium range
-need more resonance on lower notes (how do you teach in younger female singers?)
-I have some vowel recommendations to help make higher notes for successful (like on "reckless")
-I think more "twang" in the sound would help make it more efficient
-love the riffs!
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